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The Substance of Moralityby Lyndon H. LaRouche, Jr.Appendix(The case of Classical motivic thorough-composition) |
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This article is reprinted from the Winter 1998 issue of FIDELIO Magazine.
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Appendix to The Substance of Morality, A report compiled, under the direction of Anno Hellenbroich, by Liliana Celani, Ortrun and Hartmut Cramer, Bruce Director, Anno Hellenbroich, Stephan Marienfeld, Mindy Pechenuk, John and Renée Sigerson, Jonathan Tennenbaum, and Kathy Wolfe (All files of this Appendix are linked to PDF files. Table of Contents Introduction to Appendix:The case of Classical motivic thorough-composition Chapter 1: The tradition of Florentine bel canto Chapter 2: J.S. Bach and inversion as a universal principle of development in the continuum of musical composition Chapter 3: J.S. Bachs Art of the Fugue Chapter 4: The Royal Theme from A Musical Offering in dialogue among Bach, Mozart, and Beethoven Chapter 6: The principle of time-reversal in Mozart Chapter 7: On questions of motivic thorough-composition in Beethovens late works Chapter 8: Brahms Fourth Symphony: A masterpiece of motivic thorough-composition What is the Schiller Institute? Search for Many More LaRouche Articles Fidelio Table of Contents from 1992-1996 Fidelio Table of Contents from 1997-2001 Fidelio Table of Contents from 2002-present Beautiful Front Covers of Fidelio Magazine
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